This wrap came together fast, before heading out to a Memorial Day gathering. It covers a thin envelope containing note cards. No box.
The concept was contrast: contrasting patterns, foil/flat contrast. I used band ribbons made with the silver foil paper.
The layout is traditional ribbon cross. To liven it up I made and angled name tag, double-taped into place. The patterned paper is a small fragment left over from a small shopping bag. The dark blue is a fragment from a kit of Coloraid paper I bought many decades ago and only recently discovered.
This wrap also follows my wrap-art mandate for no-fuss construction; the backside is not elegant.
Wrap art contributor Carmen Zimmer submitted this imaginative wrap. With an odd shaped gift, the flexibility of tissue was the choice for a base wrap. She used the contrast of color for graphic punch.
But the material of the moment was chenille (pipe cleaner) stems that form the animal’s fur. To place them she wisely avoided my usual hot-glue technique and instead included a layer of styrofoam underneath the magenta tissue. Then it was a simple snip and poke to place each one.
Corks made legs. And she happened to have eyes left over from some toy to complete this curious creature.
While cleaning the kitchen one day, I consolidated an excess of plastic knives, spoons and forks. The beauty of multiples forced me to save them in plastic bags. The knife bag went into my wrap warehouse.
On Christmas day my son was attending to his last-minute wraps, and I volunteered to wrap one of his smallest presents.
I gave it a white-paper wrap and then began gluing plastic knives onto the box. I looked upon them as lines or strokes, and began creating a constructivist composition of angles. I had planned, and still do plan, to glue on a lot more of them. But we ran out of time and so this was my wrap. The dense-pack knife wrap awaits some future opportunity. In the meantime, the relatively sparse application of knives works quite well, and perhaps better honors its derivation in Russian artists.
I thought I might make a box with unequal sides. And I just happened to have a stack of corrugated board rectangles just large enough to cover the gift.
I cut two sides of one rectangle. Then I proceeded to cut and match three more on their long edges, fixing them progressively with hot glue until I had a four-sided box with open ends.
I stood this construction on end to trace a end panel. Glued it on and did the same on the other end.
Wrapping the pale paper proved to be easier than I imagined it would be. The folding occurred on the small ends.
Then I added two contrasting ribbons, placing them on angles, in sympathy with the capricious shape of the box.
Continuing my fascination with packaging trash, and the malleable materials of the meat market, I offer your here yet another yellow-foam wrap. This time I decided follow another fancy of mine: disrupting the form with a 45 degree angle.
I drew lines on the two foam trays, then joined pairs from the four fragments with hot glue, to make two containers with 45 degree open faces. A bit of trimming was required to make them fit. Then I inserted the gift in one side, protecting it with some paper packing, and glued the two halves together.
The trays have words embossed in the middle of their now very-visible undersides. I thought a triangular form would make a useful addition to the design and would cover the words. I cut the long diamond shape from purple paper, folded it on the short axis, and glued it onto the foam box.
Next I glued black woven bag-handle cords along all the glue seams of the yellow box. And I added the two white bows, making risible reference to the traditions of quotidien wrapping.
But I could see it was not done yet. I thought it needed a crest or crown. I grabbed a piece or coral-colored packing foam and a scrap of white paper. I drew, cut and fit the sun-burst form in scrap paper, then traced it and cut it out of the foam. I glued it in place.
The little indentations that occur along the edge of the foam trays now called out for adornment. I cut little triangles of the coral foam scrap, and glued them in place. At last I had it, an exhuberantly odd wrap, ready for the parliament of packages under the tree.
The wrap began as I rummaged through my wrap paper drawer and discovered an old type catalog, “X-Height.” It’s tall large page size, each page with a grid of square type samples, offered a paper suitable for small boxes, and one that was rich in non-repeating graphic forms.
I wrapped the present. However, the end folds did not quite cover each other, so I reached into the ribbon box, and retrieved a wide orange ribbon. I like to use ribbon on the small sides of a wrap; it provides more color and a texture change, but it leaves the stage empty for sculptural play.
Next I glued on four wine-cork legs. Raising a wrap on legs has an amusing and quietly transforming effect on any gift. The resonance with tables and benches lifts the wrap away from the metaphor of storage or inventory and places it into the non-wrap realm of furnishings.
At this point I did not have to place anything on this table. The paper’s symbol-filled square were amply entertaining. But I was having fun, and began to play with the variety of wood and rock materials cluttering my studio. A pedestal of sample engineered bamboo felt good sitting on the type-sample wrap. I then tried numerous rocks and twigs until I finally settled on the flat gray “label” rock and its companion, a shiny black rock. I added the name of the recipient in white colored pencil, and glued all three pieces onto the table wrap.
One can start with a traditional form, and then add a slight variation which gives new visual snap. My base paper here is the shopping bag which took the gift home. I am using the inside of the bag’s paper, with images of fruits and flowers. I then proceeded to improvise with ribbon, using contrast of thick and thin ribbon, as well as contrast of light and dark, shiny and matte. I started with traditional ninety-degree ribbon placement. Then I began to look for the variation that would take the wrap a step past normal. I tried many ribbons placed at various places, but all at a forty five degree angle relative to the wraps edges. Finally I tried the black. Happy, I added another strip of silver cord adjacent to the black ribbon and then I was done. This was an easy wrap.
When you buy cut flowers they come wrapped in durable, handsome paper. And the sheet is large enough to do some serious wrapping. This particular sheet appeared to be a form of plastic. It folded and creased in a pleasing fashion. After wrapping the gift I resorted to speedy and reliable ribbon-wrap tactics. First I made a yellow band of tissue paper, gluing it on the back. I then added two strips of a thin, shiny red ribbon to back a border stripe on the yellow band. The little red square is made of craft foam, placed at a 45 degree angle. I then completed the wrap with the transparent-weave blue ribbon (which had been cast off at an awards dinner by the medal winners, and retrieved, rolled up and removed for recycling by yours truly) running transverse to the band. I made this wrap quickly: no time for innovation. A house to be warmed; a dinner to be enjoyed.
Marketing literature can deliver a lot when you are making a quick wrap. I had saved a large mailer with these tasty saguaro on it. The brochure was very large, so no words were revealed. After a bit of positioning and observation, I wrapped up the box rapidly. I added orange ribbon to complete the secondary color triad that was begun with the photo’s own purples and greens. And last of all I used a skinny piece of dark-green christmas ribbon. A delicious wrap in no time at all!