The wrap began with a curious piece of cast-paper packaging from a shipment of Moo business cards. The white tray had two regions, one to hold a box of cards and the other held three groups of unboxed cards. I placed the gift, small and made of cloth, into the first region, where you now see the green corrugated paper.
I then proceeded to make a completely abstract wrap, using small scraps of paper: red foil-stamp tissue, blue-background japanese paper, and the green corrugated piece covering the gift. I then made the orange ribbon with alphabet beads to label the gift. I also put some ribbon the right-hand rib projecting up from the back of the white tray. Done.
It was when I went back and added the small blue bow to the japanese “wall paper” that the literal began to seep into my abstraction. The white “mantel” also called out for something, so I added two little jingle bells. I thought I was done. But the “fireplace” began to speak up. I built a foam and twig fire, put in on andirons. It remains an abstract fireplace, to be sure, because the “chimney” is strictly conceptual. I added two candles to the ingle bells. Done.
I designed this wrap for a non-destructive un-wrap. The base is a piece of form and mylar protective wrapping from a new 5k monitor, closed using double-sided tape. I then made feet and short legs using black shipping foam, cut with a matte knife and a jigsaw, glued with hot glue. Next I prepared the opening top access, cutting the silver material to make four flaps, the last (closing door) flap has a strip of red craft foam to signify where to open the wrap. On top, the bot’s “hair” is a strange piece made of two kinds of foam; its provenance and function is lost in the sands of time. I attached it with bent large paperclip to the top, opening flap.
The arms are packing foam from an external usb cd/dvd burner. It has inset craft foam insets, and white craft foam “hands.” I glued red foam coverings for the top and front of the feet.
Last of all I worked on the face. The three eyes are fried marbles. The chest lights/ recipient label are alphabet beads. The mouth is made from craft foam. The total is a spirited wrap.
Wrap art contributor Carmen Zimmer submitted this imaginative wrap. With an odd shaped gift, the flexibility of tissue was the choice for a base wrap. She used the contrast of color for graphic punch.
But the material of the moment was chenille (pipe cleaner) stems that form the animal’s fur. To place them she wisely avoided my usual hot-glue technique and instead included a layer of styrofoam underneath the magenta tissue. Then it was a simple snip and poke to place each one.
Corks made legs. And she happened to have eyes left over from some toy to complete this curious creature.
Christmas is in two days. I’m going for simple wraps. I wrapped another person’s fed-exed gift in solid green paper. I cut strips of white foam from a food take-out box and sliced them into mountains. Hot glue holds them on the wrap. I added one piece of red ribbon, and a small name tag.
Toys are ubiquitous at Christmas. Why not a wrap that aspires to be a toy? Such are the thoughts a wrap artist may be driven to entertain on the 23rd of December.
I used a shiny blue mylar with built-in swirly pattern. The wheels are aerosol-can lids. I used pieces of corrugated box to make special gluing hardware whose job it was to make the lids attach to the thin and flexible mylar.
The windshield is made of soda-bottle scrap. Red chenille wires outline the windshield and passenger compartment, and make the steering wheel.
The bumpers, grill and headlights are made of fragments of a silvery shopping-bag paper.
The “C” on the hood is the present’s label.
I’ve been thinking about this one since we brought home some bison ribs from The ( inimitable) Fort restaurant in March. It was a dinner honoring Chips Barry, and presented by Patty Limerick, two of the funniest people in the world. The sharp wit and the excellent meat joined forces in my mind, and when we got home with the night’s extra (not to say spare) ribs in wonderful black foam take-out boxes, I began to see a samurai wrap.
The sides, shoulders and helmet are made from the boxes. The arm protectors, which are visible in this view only because of their three red stripes, are from a coffee-insulator sleeve. The vertical grooved panel is a plastic pencil tray from a Prismacolor boxed set. Black bag-handle string cleans up the lower edge of the package. The gold paper is actual wrapping paper (a scrap). The red and white details are craft foam.
Samurai enthusiasts will, of course, know how far this is from the truth of samurai armor; liberate us from perfection, as Ms. Limerick says. I do plan to make some more samurai wraps at some later date, and will make reference to the many other design details of samurai armor. But this wrap serves the initial vision I had been generating in the weeks since the black-foam take-out boxes passed through our kitchen.
One night while I was washing the dishes (and recycling plastics), my mind was wandering. I suddenly saw columns made with corks, and capitals on those columns made with milk-carton-caps.
This wrap is what I saw: a Doric temple in recycled materials. I wrapped a flat box using some used wrapping paper, pink with shells. I glued the corks onto the wrap. I glued the white milk-carton tops onto the corks.
Next, I had to construct the triangular roof. I cut pieces of plain cardboard, gluing the triangular pediments on the end of the roof and a base underneath. I wrapped this roof and glued it onto the columns.
I took a kefir bottle and cut off the printed wrap. Underneath it was a pure white bottle. I cut off the top area and then took scissors and cut down along the corners and back up again, four times. This made the four petals. I trimmed their tops to round them out. Working the petals with my fingers I was able to give them soft curves.
I wrapped the gift in orange tissue and placed it inside the lilly. Then I took the scraps cut from the four corners, and made the pistil stems. I made a small ring to glue them to and added yellow foam to the ends. It was necessary to add some ribbon around the gift in order to make the pistils’ ring stable on top of the gift. A few pieces of scrap foam made the orange gift more secure in its white lilly holder.
I have already posted the two separate wraps you see in this image (December 25 and 30, 2009). When these two wraps went under the tree, I suddenly saw that they were meant for each other. So, without the need for any additional fastening technologies, they rested one atop the other until Christmas morning, when they went their separate ways.
It is perhaps not so surprising that they would go together, a head and some legs. But I was pleasantly surprised at this amusing synergy arising from this year’s theme of animal wraps.
This is a quick wrap if you have been saving your carton-caps from milk or juice cartons. Wrap the gift in plain white paper. Glue on four caps. Now you have a scaled-up imitation of one very common piece of a common building-block toy.
I have saved up some green, blue and orange caps; next I must find the matching paper colors so that I can simulate more kinds of bricks.