Rock-solid Wrinkle Wrap with Bake-pan Aluminum

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Aluminum is a beautiful material. Yet it is one that passes routinely through our lives, used, ignored, and trashed. When I recently cleaned up an aluminum bake pan that had held a wealth of barbecued buffalo ribs left over from a banquet I organized at The Fort, I tried to roll it out flat, as I have often done with regular aluminum foil. But I could see that I did not have the right tool to flatten this substantial piece of aluminum.

So instead I decided I must embrace the wrinkles. Using my old trasher scissors, I cut a rectangle for wrap. I added a few more wrinkles. Then, with the help of a metal ruler, I wrapped the box in the traditional way, sustaining only two cuts from aluminum’s eager edge. I hot-glued the ends shut.

Experiments brings surprises; the resulting shiny, wrinkled wrap was remarkably dimensionless. Clearly I needed more elements to the wrap. So I cut a strip from the bake pan’s lid and tried out yet another experiment I had been thinking of;  I put the strip through my oil-paint tube-crimper. That made the shiny ribbed band you see wrapped first around the package. It made a good texture, but the color was too similar, so I added the gold-foil paper band to finish off the package.

More experimentation may be required in this realm of trash aluminum, but this is a good start. This wrap has a substantial heft and texture when held; your fingers will say “This is not aluminum foil!”

Cubox Wrap

cubox-132bI have been thinking about multi-box wraps since I did the cow wrap at Christmas. In this case I was thinking about literal cubism. I wanted to see sliced and interpenetrating boxes.

An important detail in executing this wrap is to cut the boxes before you put the gift in the box.

I cut the red-wrap box using a scroll-saw. But the little box’s angle made this impossible. Instead, I drew the cut line onto the box and then sliced the line using a box-cutter. I placed the cut ends of the boxes onto a sheet of cardboard and traced the incised opening. I cut those shapes out, and, using hot glue, I attached the three pieces to the three open ends of the two boxes. That would give the boxes the rigidity they need for wrapping.

I chose to wrap them in scraps of traditional wrapping paper in order to use the contrast of tradition and innovation. I’d never tried traditional fold-n-wrap on such odd shaped boxes. Amazingly it is not that hard if you go slow and watch where the paper wants to make folds.

On the red box, I had the idea of gluing on a patch of contrasting paper, in this case the charming patterns from a Clark Richert retrospective invitation. The purpose was to show that this surface was the inside of something that had been sliced.

Next I had to play with the three parts and figure out how best to assemble them. Then I hot-glued them together.